Dutch painter (b. 1633, Leiden, d. 1707, London). was a Dutch marine painter. Willem van de Velde was baptised on 18 December 1633 in Leiden, Holland, Dutch Republic. A son of Willem van de Velde the Elder, also a painter of sea-pieces, Willem van de Velde, the younger, was instructed by his father, and afterwards by Simon de Vlieger, a marine painter of repute at the time, and had achieved great celebrity by his art before he came to London. In 1673 he moved to England, where he was engaged by Charles II, at a salary of £100, to aid his father in "taking and making draughts of sea-fights", his part of the work being to reproduce in color the drawings of the elder van de Velde. He was also patronized by the Duke of York and by various members of the nobility. He died on 6 April 1707 in London, England. Most of Van de Velde's finest works represent views off the coast of Holland, with Dutch shipping. His best productions are delicate, spirited and finished in handling, and correct in the drawing of the vessels and their rigging. The numerous figures are tellingly introduced, and the artist is successful in his renderings of sea, whether in calm or storm.   Related Paintings of VELDE, Willem van de, the Younger :. | Warships at Amsterdam rt | A Dutch Ship Coming to Anchor and Another Under Sail | Ships riding quietly at anchor | Calm: Dutch Ships Coming to Anchor wt | The Cannon Shot |
Related Artists:
Louis bosworth hurt
1856-1829
Henri Martin Prints
French Post-Impressionist Painter, 1860-1943 Born in Toulouse to a French cabinet maker and a mother of Italian descent, Martin successfully persuaded his father to permit him to become an artist. He began his career in 1877 at the Toulouse School of the Fine Arts, where he was under the tutelage of Jules Garipuy (he was also a pupil of Eug??ne Delacroix). In 1879, Martin relocated to Paris and with the help of a scholarship, was able to study in Jean-Paul Laurens' studio. Four years later, he received his first medal at the Paris Salon, where he would hold his first exhibition three years later in 1886. The year after he won his first medal, Martin was awarded a scholarship for a tour in Italy, where he studied the work of veterans such as Giotto and Masaccio. His 1889 canvas submission to the Salon earned him the gold medal for work that has been described as Pointillist. That same year he became a member of the Legion of Honour. At the 1900 World Fair, he was awarded the Grand Prize for his work. During this period, he became friends with Auguste Rodin. Although Martin's work as a neo-impressionist is not considered groundbreaking, his work was rather well-received, and has been associated with world-class symbolist painter, Puvis de Chavannes. Due to his introverted temperament, Martin decided to move away from Paris. After a decade of searching for an ideal home, Martin bought Marquayrol, a mansion overlooking La Bastide du Vert, near Cahors. He performed his best work in the new tranquil environment, and died there in 1943.
Arthur Dove
American 1880-1946 Dove returned to America in 1909 and met Alfred Stieglitz. Stieglitz, the eldest child of a New York rich family and was send to study in Germany at the age of 16 where he was overtaken with the passion of photography. In 1905 he returned to New York with 15 years of experience he was at the front lines to make photography respected as one of the fine art. Alfred Stieglitz was a well known photographer and gallery owner who was very active in promoting modern art in America. In his attempt to educate the art public, he started to introduce other art besides photography. Along with American modernists he would show European work. These pieces had never been seen in the United States.[1] Stieglitz was a New York art world celebrity.[1] Dove made the decision to quit his career as an illustrator but was in need of artistic identity along with emotional bolstering and Stieglitz filled both.[5] The photographer was 61, 16 years younger than Dove and with Anglo-Saxon heritage, being Protestant with a small town background was in contrast to Stieglitz??s experience being urban, Jewish and rooted in European culture. Dove was gentle, quite, and a good friend while Stieglitz was argumentative and shrewd. They both had in common that they believed art forms should embody modern spiritual values not materialism and tradition. Stieglitz was later the husband of the famed painter Georgia O??Keeffe. With Stiegliz??s support, Dove produced what are known as the first purely abstract paintings to come out of America. Dove exhibited his works at Stieglitz??s ??291?? gallery in 1910 and in 1912 when he had his first one-man exhibition. The 1910 show ??Younger American Painters?? put Dove in the company of his old friend Maurer. Dove showed one painting, a large still life painted in France ??The Lobster??, which would be his last representational work. The 1912 show at the ??291??, Doves only one man showed a group of pastels that came to be know as ??Ten Commandments??, would be the first public display of nonillusionistic art by an American. In the two years since meeting Stieglitz Dove found himself as a leader in international art developments. From 1912 to 1946 Dove showed his work yearly at Stieglitz??s galleries, ??291??, ??intimate Gallery?? and ??An American Place.?? Dove??s works were based in natural forms and he referred to his form of abstraction as ??extraction,?? in essence, extracting the essential forms of a scene from a nature.